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Optic Nerve XIII

Posted by MOCA Blog on 21 July 2011 / 0 Comments

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MOCA Art Trips (NYC Summer!)

Posted by MOCA Shaker (Bernardo Ortiz) on 19 July 2011 / 0 Comments

MOCA Members and Patrons Tour NYC!

MOCA Shaker Steven Bander, Lizzi Gorfaine of MoMA PS1, and artist Clifford Owens.

COLOR, TEXTURE, FUN AND SILINESS by Bernardo Ortiz, Leadership Circle member. Photos by Bernardo Ortiz.

Color, texture, fun and silliness...all checked. All this stimuli was part of the latest MOCA A La Carte experience in New York City. Our journey started upon joining a group of fellow MOCA Leadership Circle and Shakers members at the Gagosian Gallery with an illustrious conversation with director Bob Monk who highlighted his personal experiences with Cy Twombly. Bob Monk concluded the tour by showing the group a piece that is unbelievably special. A limited edition book by Ed Ruscha titled On The Road. This book includes hand-mounted photographs curated by Ed Ruscha. The rush we shared while the pages were flipping was indescribable. This book will be on view at MOCA as part of Ed Ruscha's exhibition of paintings and works on paper based on Jack Kerouac's classic novel of the same title On The Road. Ruscha's On The Road has a limited print run of 300 copies. Your search for that special gift is over!

We later went to lunch at "The Untitled" at the Whitney. This gave us the opportunity to catch up with old friends and meet other members of the group from the Leadership Circle and MOCA Shakers, both New Yorkers and fellow Miamians, while we devoured our tasty lunch options. We then gathered in front of the vast industrial elevator doors inside the museum. When those giant elevator doors opened to the 4th floor Cory Archangel exhibit, I was speechless. Giant projections of video games ranging from Atari to Playstation displayed in a progression of graphics attempting to play the game of bowling. At first, I identified with the piece because I grew up playing the same kind of video games but then I noticed something unusual. No matter how many times the players threw the bowling ball, they always failed. Cory Arcangel achieves this goal by hacking into the video games to ensure failure is guaranteed. As Andrea H. Scott from The New Yorker says "Arcangel finds an abject beauty in the way that modern technology is doomed to obsolescence."

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Ryan Trecartin Q&A

Posted by MOCA Blog on 18 July 2011 / 0 Comments

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New Methods Blog: Session V

Posted by Sebastian Duncan-Portuondo (Curatorial Intern) on 6 May 2011 / 0 Comments

Session 5: What Do We Need to Know?

Moderator: Ruba Katrib
Panelists: Helmut Batista, Stefan Benchoam, Yoshua Okón, Michy Marxuach, Judi Werthein

   Educational initiatives provide a basis for structuring many of these organizations, engaging the development of artist practice and participation with public audiences. It is central to the current mode of thinking that pedagogical approaches not be predetermined but move into the unknown. Through an open-ended approach, research can fluidly meet the needs of the situations and participants, introducing new ways of knowing and experiencing the world. 
   The degree to which these organizations are structured varies and adaptability is primary. More formal class and critique sessions become a part of their programs, yet many of the institutions emphasize the kind of growth that occurs through social gatherings and communal experiences. The panel also discusses the way the traditional discourse surrounding academic learning closes off certain audiences and creates false expectations of predetermined routes for what it means to be an artist.
    Engagement with the world outside the local context is also an important aspect of the pedagogical models. To address this problem, several organizations bring artists from abroad to share their experiences and knowledge, expanding the conversations that occur within these communities. Digital, open source archives are possible solutions to reaching outside audiences for some of these organizations.
    Approaching the expectations that are set up between a "student-educator" relationship, the panel talks about getting outside of the traditional role of academic institutions that produce pre-formed art subjects. Judi Werthein, of C.I.A., says: the academic model is far from what we are doing, we create points of encounter that encourage interdisciplinary conversations engaged with the development of society. The idea of results-driven programming was also questioned, experience and personal growth are greater objectives.

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New Methods Blog: Session IV

Posted by Sebastian Duncan-Portuondo (Curatorial Intern) on 6 May 2011 / 0 Comments

Session 4: How Long is the Dance? Thinking about Sustainability.

Moderator: Anders Smenbye
Panelists: Helmut Batista, Tony Evanko, Roberto Jacoby, Sally Mizrachi, Amilcar Packer, Raquel Schwartz

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New Methods Blog: Session III

Posted by Sebastian Duncan-Portuondo (Curatorial Intern) on 6 May 2011 / 2 Comments

Session 3: Operating in the Real and Imagined Latin American Contemporary Art Context

Moderator: Rina Carvajal
Panelists: Eduardo Abaroa, Pablo Helguera, Raquel Schwartz, Roberto Valcárcel, Judi Werthein

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New Methods Blog: Session II

Posted by Sebastian Duncan-Portuondo (Curatorial Intern) on 5 May 2011 / 0 Comments

Session 2: Friends & Acquaintances: Who is this for?

Moderator: Gean Moreno
Panelists: Stefan Benchoam, Michy Marxuach/Tony Cruz, Sally Mizarachi, Yoshua Okón, Emiliano Valdés

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New Methods Blog

Posted by Sebastian Duncan-Portuondo (Curatorial Intern) on 4 May 2011 / 0 Comments

Session 1: Introduction to New Methods & Participating Organizations

Introduction by associate curator Ruba Katrib: Organizing this symposium was a means of pursuing interests started in Chicago with her participation in the creation of the Three Walls Residency Program; institutions like this highlight the importance of bringing artists and communities in conversations and debates. While they may not produce discrete, tangible results, they become a nexus for new ways of thinking, producing and engaging the world through art.

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Latest Research for New Methods: Brazil, Argentina, and Mexico

Posted by Ruba Katrib on 7 February 2011 / 0 Comments

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It’s been a busy last couple of months of travel in preparation for the New Methods symposium. In December, I went to Brazil and Argentina to continue my research. I was able to catch the last week of the 29th Sao Paulo Biennale and met with Helmut Batista from Capacete in Rio de Janeiro. We discussed the residency program that he has been successfully operating since 1998. The program enables international artists to spend time in Sao Paulo and Rio de Janeiro and commissions artworks, publishes books, and organizes engaging public discussions. Capacete has had an impressive history and is looking towards its future, a topic that will be discussed during the symposium.

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